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Blaqbonez’s “No Excuses” Tops Charts, Rekindles Rap Feud With Odumodublvck Over “ACL” Diss Track

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LAGOS — Nigerian rapper Blaqbonez has released his fourth studio album, “No Excuses,” which has quickly become one of the most talked-about music projects of the year. The 16-track album, released on October 17, 2025, debuted at No. 1 on Apple Music Nigeria’s Top Albums chart and racked up more than 2 million global Spotify streams within its first 24 hours.....KINDLY READ THE FULL STORY HERE▶

The project’s standout track, “ACL,” has intensified Blaqbonez’s ongoing feud with fellow rapper Odumodublvck. In the song, Blaqbonez appears to mock Odumodublvck’s consistency and mental stability, referencing alleged private messages exchanged between the two. The track’s official YouTube video has already surpassed 12 million views, further fueling public interest in the dispute.

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Music analysts say the success of “No Excuses” marks a new milestone in Blaqbonez’s career. The rapper, known for his humorous yet bold approach to hip-hop, described the album as a reflection of “growth, confidence, and no apologies” in a brief statement shared on social media.

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“Blaqbonez has always balanced entertainment with provocation,” said music journalist Adewale Aina. “But this time, he’s clearly using the project to assert dominance in the Nigerian rap scene.”

The rivalry between Blaqbonez and Odumodublvck began earlier in 2025 after a series of cryptic social media posts and interviews. Both artists have hinted at creative differences and personal tension. However, “ACL” is the first time Blaqbonez has directly addressed the feud in a song.

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Lines from the track — such as “Failed rappers turning to internet gangsters” — have been widely shared online, with fans dissecting each lyric for hidden meaning. Some listeners praised Blaqbonez for his lyrical sharpness, while others criticized the move as unnecessary provocation.

Odumodublvck, whose own album “Industry Machine” has dominated Spotify Nigeria’s Top Albums chart for two consecutive weeks, has not publicly responded to the diss. His silence has left fans wondering whether he plans to release a response track or let the controversy fade.

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“Odumodublvck might be taking the strategic route,” said entertainment critic Titi Olatunji. “He’s at the top of the charts right now, and sometimes the best reaction is no reaction.”

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Despite the drama, “No Excuses” continues to gain commercial traction. The album blends witty bars with introspective tracks, featuring collaborations with several Nigerian and international artists. Its production has also been praised for its mix of Afro-fusion beats and modern trap influences.

Industry observers note that the public feud between two of Nigeria’s biggest rappers could reignite interest in the country’s hip-hop scene, which has recently faced stiff competition from Afrobeats and street pop. Social media discussions using hashtags like #NoExcuses and #ACLChallenge have trended across Nigerian Twitter and TikTok since the album’s release.

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The face-off between Blaqbonez and Odumodublvck reflects a broader theme in global rap culture — the tension between lyrical competition and personal conflict. While some fans see it as a healthy rivalry that keeps the genre exciting, others fear it could escalate beyond music.

For now, Blaqbonez appears to have the spotlight. With strong streaming numbers and viral buzz around “ACL,” he has solidified his place as one of the most prominent voices in contemporary Nigerian hip-hop.

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Whether Odumodublvck will respond remains to be seen. But one thing is clear: “No Excuses” has not only pushed Blaqbonez to new commercial heights — it has also reignited one of the most compelling rivalries in African music today.

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Benedict Johnson Opens Up: “I Went Five Years Without A Movie Role”.

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Nollywood actor Benedict Johnson has revealed that he endured a difficult stretch in his career, going five years without receiving any acting roles.....KINDLY READ THE FULL STORY HERE▶

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He shared his experience during a church service at Streams of Joy International, led by Pastor Jerry Eze, in Abuja. A video of his testimony has since gone viral on social media.

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Johnson explained that for five years, no producer or director contacted him for work. “The film industry isn’t like a regular office job where you can ask why you lost a position,” he said. The silence was painful, he added, because he received no explanation—he simply stopped getting calls. Despite this, he maintained his faith and continued to trust God.

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The extended break prompted him to move to Abuja to attend church prayer programmes. Although some colleagues warned him that Abuja isn’t a major film hub like Lagos, Johnson stayed committed to the gatherings.

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He revealed that his career began to turn around in early 2026. Since January, he has already featured in twelve projects and received invitations for film work abroad, with upcoming trips to Germany and the United States. He expressed gratitude for these new opportunities.

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During the service, Johnson also spoke about his daughter’s health struggles, sharing that she had faced a serious illness but has since improved.

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My Children Don’t Want Me Married – Annie Macaulay

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Nollywood actress Annie Macaulay Idibia has opened up about her approach to motherhood, describing herself as a single woman raising her two children rather than labeling herself a single mother.....KINDLY READ THE FULL STORY HERE▶

She shared her thoughts on Instagram, reposting a message from a user reflecting on identity, motherhood, and personal growth.

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Annie emphasized that her priority is staying alive, authentic, and free for her children, rather than being defined by marriage. Her goal is to create a nurturing environment where her children can flourish, highlighting that her own peace, joy, and stability directly impact their well-being.

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Rejecting the stereotypes often associated with single motherhood, she dismissed narratives of struggle, limitation, and mere survival. Instead, she framed her journey as one of legacy, empowerment, and emotional balance.

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She wrote:
*”I’m not a single mom. I’m a single woman raising two kids. My children don’t need me married. They need me alive. They need me true. They need me free. I’m a woman rising, and two beautiful souls rise with me. My peace brings them peace, my joy brings them joy, and my radiance creates their safety.

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My kids get to watch me grow, to watch me rise, to see a woman rebuilding her world with joy, not bitterness. That is the greatest gift I’ll ever give them. Being a ‘single mom’ comes with a story society wrote for us: overwhelmed, struggling, limited, surviving. That’s not my story.”*

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Her statement comes months after her separation from singer 2Baba in January 2025. The couple, who share two children, have moved forward independently while their divorce is yet to be finalized.

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Since then, Annie has focused on self-care and personal growth, attending wellness retreats in Qatar, Singapore, and Cape Town, and regularly sharing reflections on healing, self-worth, and empowerment.

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I Have Never Experienced 24 Hours Of Electricity In Nigeria – Music Producer, Sarz.

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Ace music producer and executive Sarz, born Osabuohien Osaretin, has voiced frustration over Nigeria’s inconsistent power supply.....KINDLY READ THE FULL STORY HERE▶

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Speaking on a recent episode of the Afropolitan podcast, the 36-year-old explained how unreliable electricity continues to hinder the country’s creative sector. He noted that when inspiration strikes but there is no power, valuable creative energy is often lost.

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Sarz said that despite being born and raised in Nigeria, he has never experienced a full 24 hours of uninterrupted electricity. According to him, there are moments he wakes up inspired to make music but cannot work due to a power outage. At times, even getting fuel for generators becomes difficult because of strikes or scarcity, leaving projects stalled and creative potential wasted.

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He stressed that creatives need the right environment to perform at their best, adding that inadequate infrastructure poses serious challenges when artists are mentally ready to produce.

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The producer concluded that for Nigeria’s entertainment industry to reach greater heights, stronger infrastructure support is essential, as current limitations continue to restrict growth.

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